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A HANGING AT CINDER BOTTOM
JULY 2015, TIN HOUSE BOOKS

The year is 1910. Halley’s Comet has just signaled the end of the world,and Jack Johnson has knocked out the “Great White Hope,” Jim Jeffries.Keystone, West Virginia, is the region’s biggest boomtown, and on a rainy Sunday morning in August, its townspeople are gathered in a red-light district known as Cinder Bottom to witness the first public hanging in over a decade. Abe Baach and Goldie Toothman are at the gallows, awaiting their execution. He’s Keystone’s most famous poker player; she’s the madam of its most infamous brothel. Abe split town seven years prior under suspicion of armed robbery and murder, and has been playing cards up and down the coast, hustling under a variety of pseudonyms, ever since. But when he returns to Keystone to reunite with Goldie and to set the past right, he finds a brother dead and his father’s saloon in shambles—and suspects the same men might be responsible for both. Only then, in facing his family’s past, does the real swindle begin.

Glenn Taylor, a finalist for the National Book Critics Circle Award, has a unique voice that breathes life into history and a prose style that snaps with lyricism and comedy. A Hanging at Cinder Bottom is an epic novel of exile and retribution, a heist tale and a love story both.

EARLY PRAISE

“Glenn Taylor’s new novel defies classification or clichés. It will clean your clock, fix your wagon, and knock you out.”
—SUSAN STRAIGHT, author of Between Heaven and Here

“It’s not enough to say Glenn Taylor is a brilliant writer. He’s that rarity nowadays, a great storyteller. You’ll never have a better time at a hanging.”
–STEWART O’NAN, author of A Prayer for the Dying

“Imagine if Bonnie and Clyde had lived in West Virginia . . .”       -Carolyn Kellogg, Los Angles Times

“Mark Twain meets ‘Ocean’s Eleven'”                                                Brett Josef Grubisic, Maclean’s

“Like Portis’s True Grit, an American fable told with literary nuance.”                         Kirkus

. . . a sprawling, lively serio-comic mountaineer novel . . . reminiscent of Daniel Woodrell, which includes flatulence jokes and over-the-top bedlam . . .”    Publishers Weekly